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Wood Sculpture
Artist Daniel Schneider creates contemporary wood sculpture, woodcut prints and ink drawings on mylar.
Woodcut Prints
Artist Daniel Schneider creates contemporary wood sculpture, woodcut prints and ink drawings on mylar.
Woodcut prints
Artist Daniel Schneider creates contemporary wood sculpture, woodcut prints and ink drawings on mylar.
Ink Drawings on Mylar
Artist Daniel Schneider creates contemporary wood sculpture, woodcut prints and ink drawings on mylar.
Douglas Fir
Sculpture
Douglas Fir
douglas fir
Ink on Rice Paper
Woodcut Prints
Ink on Rice Paper
woodcut prints
Chandelier Series on Mylar
Drawing
Chandelier Series on Mylar
drawing
Basswood
Sculpture
Basswood
basswood
Ash
Sculpture
Ash
ash
Ink on Rice Paper
Woodcut Prints
Ink on Rice Paper
ink on rice paper
Chandelier Series on Mylar
Drawings
Chandelier Series on Mylar
chandelier sepia wash
Basswood
Sculpture
Basswood
Basswood form
Ink on Rice Paper
Woodcut Prints
Ink on Rice Paper
Ink on rice paper detail

Sculpture, woodcut prints and ink drawings on mylar.

Artist Daniel Schneider explores the physical action of drawing in three-dimensions using materials such as reclaimed Douglas Fir, basswood, ash and other exotic woods.
Marks and gauges in the surface reveal the labour-intensive process that took place while a perfect hourglass form emerged. The tall, slender pieces make reference to the human figure creating an interactive and spatial relationship with the viewer.
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Sculpture
Schneider’s woodcut prints are created directly from past sculptures.
The prints be considered untraditional drawings in which the physical layering process captures the fragility and texture of the wood on a two-dimensional picture-plane.
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Woodcut Prints
The Chandelier Series explores the transition from untraditional still-life drawing to abstraction. Originally derived from an actual 19th century European style chandelier, the drawings are completed in multiples and in serial format.
Through the repetitive act of mark-making, the accumulation of line creates a visual tension between the flatness of the surface and the illusion of spatial depth. The continuous layering technique takes place until the work reaches a point at which it hovers between representation and abstraction. The essence of the original chandelier remains, while the viewer’s attention is brought to the formal element of line and the physicality of the mark-making process.
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Ink Drawings
  • Sculpture
  • Woodcut Prints
  • Ink Drawings
Art Interiors
Art Interiors Toronto, ON
Art Interiors www.artinteriors.ca, 446 Spadina Road #203, Toronto, ON 416.488.3157
Parts Gallery
Parts Gallery Toronto, ON
Parts Gallery www.partsgallery.ca, 1150 Queen St. East, Toronto, ON 416.465.8500